Bong subverts this expectation by taking what western audiences expect to happen and presents audiences with the inevitable dark reality of this true story. In many Western films, this moment may be seen as the resolution of the story, the happy ending as such where the killer is caught and justice is served. The test ultimately comes back negative, confirming that their suspicions of this suspect are wrong. The only way that they can be sure that they can identify and confirm this prime suspect is to get a sample of DNA found at a crime scene to be tested in the United States. The 3 detectives settle on a prime suspect later in the film, and they strongly believe he is the guy they are looking for. Memories of Murder comments on this relationship through many means. His films often explore the contrast between both Korean culture and Western culture. As a subversion of the crime and police procedural film formula, Bong opts too long, unbroken takes to showcase that the 2 small town detectives are in over their heads with this case, showcasing disruption and destruction of evidence and mishandling of the investigation.īong Joon-ho has never made it a secret regarding his love-hate relationship with American cinema. The case slowly takes over their lives, leaving only conflict and uncertainty in their paths. Like I stated before, the film ultimately chooses to follow the obsession of these 3 detectives, with their frustration of not being able to locate the killer. He makes it his mission in this film to point out the beauty of the scenery and completely contrast that with the abhorrent crimes on display. Bong makes quiet, rural South Korea where the murders take place feel like something else entirely. Memories of Murder adopts all these attributes. He has a tendency to make his films feel, look and sound so original, even if the genre he is in has been done over a million times before. Related: Dark Cinema – Horror from Japan and Koreaīong Joon-ho has a gift that very few directors have. This genre can be quite cliche but Bong Joon-ho chooses to focus on the lives of these detectives, their hardships, flaws and ultimately obsession with the case that would never see justice during their time investigating. The film is different in that of many other detective movies. The film is based on true events, following the crimes of South Korea’s first serial killer and the investigations that followed. They are investigating a series of rapes and murders, believed to be conducted by the same person. Released in 2003, the film follows 2 small town detectives, played by Song Kang-ho and Kim Sang-kyung, and a big city detective played by Kim Roi-ha. Like Bong Joon-ho said, I jumped over the one-inch tall barrier of subtitles, and was introduced to so many more amazing films.Įnter Memories of Murder, Bong Joon-ho’s sophomore effort. Like I said, after viewing this, my whole perspective was changed regarding how I viewed and enjoyed the film medium. My first real foreign experience in film was when I saw Luis Bunuel’s Un Chien Andalou, a classic European avant-garde surrealist short film with close collaborations with the great Salvador Dali. But miraculously after that experience, I was opened up to a whole new world that my naiveness stopped me from exploring. As someone who never used to really dabble in a lot of foreign cinema, the first time I sat down to watch a foreign movie was a daunting experience.
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